-ContinuityEstablishing shotsAn establishing shot is usually the first shot of a new scene, designed to
show the audience where the action is taking place. It is usually a very wide shot or extreme wide shot. Examples of this include;
At
3.03 to 3.06 there is a shot of the side of the Crain boom this shot gives you
a feeling of the high and danger of the chase. And allows the view to see the
reality that the two face, as James bond nearly falls.
180 degree rule
between 2.38-2.41 a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. An imaginary line called the axis connects the characters, and by keeping the camera on one side of this axis for every shot in the scene.the camera can never go over the line.
-Shot
reverse-shot
Shot reverse shot (or shot/countershot) is a film technique where one character is shown looking at another character (often off-screen), and then the other character is shown looking back at the first character.
-Match
cut on action
Match cuts are any cuts that emphasizes spacial and temporal continuity and it is the basis for continuity editing. When we refer to continuity editing, we are referring to editing techniques that are used to help establish a logical flow between disparate shots so as to present a smoother narrative transition that does not end up jarring or confusing the viewer.-Motivated
editing 4.33
Motivated editing is a way of helping to suspend the audiences disbelief when watching a production. Motivated editing is where shots are carefully chosen to push a story along and make the audience believe what they are seeing. For instance if there is a shot of someone walking into a room and looking around, it is best to then cut to a shot of that actors point of view. This way the audience get to see exactly what that actor sees and it engrosses them in the story even more. Motivated editing is a good way to get an audience deeply involved in what they are watching and makes them less likely to notice all the different cuts and the fact that what they are actually watching is just different video shots put together. Instead it makes them fully believe in the story.
At 0.21 minutes There is a close up this technique
gives you a view of the man that’s being chased in the scene it helps you
recognise the fear and the way in which the man is looking for James bond who
is pursuing him. This carry’s the fear and excitement of the chase onto the viewer.
A Partial part of the frame is taken by
something which he is hiding behind which again reinforces the fear and hiding
of the chase.
Eyeline/
point of view shot between 0.21 minutes and 0.24 minutes this technique is used
to as its name suggest it gives you the view from the perspective of the chaise.
This combined with the panning shows he is for someone chasing him. The shaking
in the footage with the partial divide of the frame gives you the sense of fear
and the sense of hiding which has already been shown by the previous close up
shot.
At
0.29 minutes There is a reaction this technique gives you a view of the man that’s
being chased in the scene it helps you recognise the fear and shock with facial
expression and movement after a dramatic event has happened within the scene.
Screen
timeThere
are two main characters which gain the majority of screen time in this video
and James Bond who are involved within the chase
At 3.03 to 3.06 there is a shot of the side of the Crain boom this shot gives you a feeling of the high and danger of the chase. And allows the view to see the reality that the two face, as James bond nearly falls.
180 degree rule
between 2.38-2.41 a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. An imaginary line called the axis connects the characters, and by keeping the camera on one side of this axis for every shot in the scene.the camera can never go over the line.
-Shot reverse-shot
Shot reverse shot (or shot/countershot) is a film technique where one character is shown looking at another character (often off-screen), and then the other character is shown looking back at the first character.
-Match cut on action
Match cuts are any cuts that emphasizes spacial and temporal continuity and it is the basis for continuity editing. When we refer to continuity editing, we are referring to editing techniques that are used to help establish a logical flow between disparate shots so as to present a smoother narrative transition that does not end up jarring or confusing the viewer.-Motivated editing 4.33
Motivated editing is a way of helping to suspend the audiences disbelief when watching a production. Motivated editing is where shots are carefully chosen to push a story along and make the audience believe what they are seeing. For instance if there is a shot of someone walking into a room and looking around, it is best to then cut to a shot of that actors point of view. This way the audience get to see exactly what that actor sees and it engrosses them in the story even more. Motivated editing is a good way to get an audience deeply involved in what they are watching and makes them less likely to notice all the different cuts and the fact that what they are actually watching is just different video shots put together. Instead it makes them fully believe in the story.
At 0.21 minutes There is a close up this technique gives you a view of the man that’s being chased in the scene it helps you recognise the fear and the way in which the man is looking for James bond who is pursuing him. This carry’s the fear and excitement of the chase onto the viewer. A Partial part of the frame is taken by something which he is hiding behind which again reinforces the fear and hiding of the chase.
Eyeline/ point of view shot between 0.21 minutes and 0.24 minutes this technique is used to as its name suggest it gives you the view from the perspective of the chaise. This combined with the panning shows he is for someone chasing him. The shaking in the footage with the partial divide of the frame gives you the sense of fear and the sense of hiding which has already been shown by the previous close up shot.
At 0.29 minutes There is a reaction this technique gives you a view of the man that’s being chased in the scene it helps you recognise the fear and shock with facial expression and movement after a dramatic event has happened within the scene.
Screen timeThere are two main characters which gain the majority of screen time in this video and James Bond who are involved within the chase
Hi Ehren,
ReplyDeleteCheck the formatting of this one. The pictures are not showing. Have you completed this one yet?
Cover all the points and if your scene does match them then find ones from other scenes.
Thanks,
Josh