Sunday, 28 June 2015

Job roles in the television and film industries

The Job of a Runner
Main job description

A runner is an entry-level position, the most junior role in the production department of a broadcast, film or video company. Runners act as general assistants, working under the direction of the producer and other production staff, to undertake basic tasks that are required to ensure the smooth running of the production process. Runners are also employed in a range of areas. For example, film, television and radio production.
Runners' general responsibilities include:
·        tea making;
·        transporting scripts and hire equipment;
·        taking messages;
·        looking after guests;
·         getting everything in place for shoots.

This role offers the opportunity to gain vital experience and knowledge of the production process, offering valuable networking opportunities, and is often seen as the first step on the ladder for people aspiring to roles in broadcasting media.

Organisation, flexibility and good communication skills are essential skills needed for the runner.

Working conditions and salary
working hours vary according to the needs of the production. These include working long and unsocial hours, including early mornings and late evenings as required.
Working environments also vary, as runners may be based in a studio, production office or on location.
The salary of a runner also greatly depends on the size of the production. This affects the contract that the runner is employed on, as this may be long or short term depending on the production. The general wage can range from £6.50 to £8.00 as a set hourly rate.

Sources




The job of a Researcher

Main job Description

Researchers work in a variety of sectors within the media industry. These include, radio, TV and film. They organise the majority of the aspects that go into the media production, involving planning and further executing their ideas. A researcher is responsible for following and being aware of the constant changes within the media industry, in order to alter and shape their programmes to suite each environment.
Main responsibilities of a researcher include;
·         Working alongside directors and executives
·         Planning future programmes
·         Writing reports on each programme

Additional information and salary

Salary depends on the company and size of production. On average, researchers are paid £350 to £600, which varies between junior and senior roles. A degree is also required to qualify as a researcher. In addition to this, communication, computing, and researcher skills are also needed to be suitable for the role.

Sources

The Job of an Editor
Main job description


Film Editors assemble footage of feature films, television shows, documentaries, and industrials into a seamless end product. They manipulate plot, score, sound, and graphics to refine the overall story into a continuous and enjoyable whole.
The use of digital technology and computer software are key aspects of being a film and TV editor. Editors are responsible for assembling recording raw material into a finished product that's suitable for broadcasting. Editors also work closely with the director to achieve the desired end result by collaborating their ideas. On a general basis, editors work on short-term basis, however, this does also depend on the size of the production.

Additional information and salary

Editors work standard office hours but it will vary depending on the production. This includes shift work if editing studios are booked at night. When there are deadlines to meet, long hours and overtime may be required. A film/video editor position is not typically an entry-level job, starting at a minimum salary wage. Editors starting salaries for those who are employed by a television or post-production studio are in the region of £18,000 to £25,000. With experience as a film or video editor, the salary increases to £20,000 to £35,000. At a senior level, the potential earnings of £37,000 to £70,000 are reached but the higher end of this scale is only available to senior editors working on high-status projects.

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The Job of a Director

Main job description



Directors have overall responsibility for the way films or television programmes are made. As a director, creativity, organisational skills and technical knowledge are all needed to manage the whole production process. As directors will also be leading a team of people with very different roles, in this job good communication skills are also required. There are many different routes to getting into this job. Starting out as a 'runner' is one route, or progressing from camera or acting work. Courses in media production could teach some of the skills are needed.

Additional information

working hours on a shoot would often be long and irregular according to the production's needs, and may include evenings and weekends. A weekly salary for a film director starts at £1300, which also depend on the size of the production.

Sources


The job of a Production Manger



Main job description

A production manager is responsible for the organisation of all aspects of the production. They work over a variety of genres in the industry such as documentaries, entertainment in order to interpret the director’s ideas. There are no specific qualifications to become a production manager, however a degree in a media related subject is desirable. Skills that are needed for this role include
·         Having efficient problem solving skills
·         Having strong financial and budgeting skills



Additional information

Production managers generally work on a freelance basis and have one of the most demanding job roles in the industry. Their working hours can also differ depending on the size of the production and work is often in an office base work environment with studio visits and location meetings.

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Job of a Location manager



Main job description

Location managers are responsible for making all the practical arrangements for film, television or photographic shoots taking place outside the studio. Productions are made in a wide range of places and location managers need to research, identify and organise access to appropriate sites.

A location manager's role follows a sequence of activities from pre-planning to the completion stages of a production. Tasks that may be carried out include:
·         Assessing and interpreting scripts or story boards to get an understanding of the location required;
·         Meeting with the director and designer to discuss projects and working to their creative vision;
·         Collating ideas and undertaking research using resources such as the internet, specialist location libraries, local and regional film commissions and agencies.


Additional information

Location managers work on a freelance basis and are paid on contract terms. Work demands are at their highest during the summer and winter but the role of a location manager is considered to be the least demanding job role in the industry. As location managers must be readily available, they work full time hours.

Sources


The job of a Production designer



Main job description

Production designers are responsible for the visual concept of a film, television or theatre production. They realise a design style for sets, locations, graphics, props, lighting, camera angles and costumes, while working closely with the director and producer. Once the concept is decided, designers usually appoint and manage an art department, which includes a design and construction team. They often form a strong partnership with a particular director with whom they may work on many productions. Designers tend to specialise in either film, television or theatre, although there may be some overlap. In the theatre, production designers are also called stage or set designers.

Most production designers work as freelancers and so an important part of their work is marketing their skills and experience, making contacts and briefing agents. First tasks usually include clarifying the brief and agreeing a suitable fee and timescale, which is sometimes done by an agent. After this, work activities might then include:
·         reading scripts to identify factors indicating a particular visual style;
·         considering the production brief, which may be written or oral;
·         meeting the producer and director to discuss concepts and production requirements


Additional Information

Production designer is not typically an entry-level position. Those breaking into the field usually start as art department runners, art department assistants or design assistants.  The entry requirements include knowledge of the industry. For example, Theatre and performer design.

The job of a Producer


Main job description

Producers play an integral role in the television, film and video industries. A producer will oversee each project from conception to completion and may also be involved in the marketing and distribution processes. Producers work closely with the directors and other production staff on a shoot. Increasingly, they need to have directing skills as they may be the director and be in charge of all project operations. Producers arrange funding for each project and are responsible for keeping the production within the allocated budget.
Creative input and the level of decision-making varies, as this depends on the client and the brief.

Additional information

Starting salaries for assistant producers may range from around £18,000 to £25,000. With experience, salaries can reach £40,000 to £55,000, and for departmental heads, £60,000 to £80,000 plus benefits. Producers work regular unsocial hours during weekdays and weekends to meet the strict deadlines that are set.

Sources

The job of an Executive producer



Main job description

The role of the Executive Producer is to oversee the work of the producer on behalf of the studio, the financiers or the distributors. They will ensure the film is completed on time, within budget, and to agreed artistic and technical standards. An Executive Producer may be a producer who has raised a significant proportion of a film's finance, or who has secured the underlying rights to the project. In major productions, the Executive Producer may be a representative or CEO of the film studio. In smaller companies or independent projects they may be the creator or writer. Typically, Executive Producers are not involved in the technical aspects of the filmmaking process, but have played a crucial financial or creative role in ensuring that the project goes into production. There may be several Executive Producers on a film who may take the lead role in a number of areas, such as development, financing or production. Executive Producers must be excellent negotiators. They need a keen business sense, and an intimate knowledge of all aspects of film production, financing, marketing and distribution.

Additional information

There are no specific qualifications to becoming an Executive Producer in TV. However, a degree in a media-related, drama or specialist subject may be desired. Salary can range from £50, 000 - £90,000, which can increase depending on the size of the production.

Sources


Job of a Sound assistant


Main job description

Sound Assistants are the third members of the production sound crew and provide general backup and support to the production sound mixer and the boom operator. They are responsible for checking all stock, microphones and batteries and making sure that the sound department runs as smoothly as possible.

On large scale productions, Sound Assistants may be called upon to operate the second boom, recording all off-camera lines of dialogue, i.e., lines spoken by characters who do not appear on screen. Sound Assistants usually work on a freelance basis with the same production sound mixer and boom operator. Most Sound Assistants work on both film and television productions, unless they work with a production sound mixer who works exclusively on feature films. The hours are long and the work often involves long periods working away from home.

Additional information

Salaries vary depending upon the actual role and type of production. In established studio or in television and radio, starting salaries may be in the region of £16,000 to £18,000. With experience this can rise to salaries upward of £30,000. Supplements for unsocial hours may be available. The average working day consists of working a 10 hour day on a fixed term contract.

Sources
http://www.media-match.com/usa/jobtypes/sound-assistant-jobs-402781.php

1 comment:

  1. Great work here Ehren!

    Try and watch out for not using capitals as the start of sentences.

    Also, even if there is no direct rotue for certain roles. Give an example one may take (film school/university/work experience etc.)

    ReplyDelete